24 November 2011

by wire ...

With Summer looming, the verandah at the farm needs a bit more chairing up (as with most spots around our place, need may be a mild exaggeration), and we have been hunting for something to compliment our long-time favorites ...


Of course, the problem is that any new addition has to be vintage, look good, and have a decent pedigree ... oh, and fit our budget if possible.
Today things came together nicely - we were off to Richmond to deliver some chairs and thought we should take the opportunity to check out the recently launched Permanent Collection on Burnley Street.  A great stop all 'round.  The store is stocked with some officially fantastic mid-century pieces, Charles is a lovely chap to chat with, and ...



... a vintage (c.1950) local-production of the sweet Bertoia 420c side chair - quietly waiting for us.  With nicely cracked plastic-coating and just enough rust developing to fit in with the verandah's current set, she's just the thing.



Joy.  So now we just need maybe one or two more nice bits of white wire and ... oh lordy ...

Like Charles Eames, Harry Bertoia's sculptural chair designs from the 40's+50's have become fodder for those 'reproduction' monkeys (MattBlatt, Click-On, Sokol, etc, etc) who are getting low-quality copy furniture SOOOOOO cheaply from China and populating every real-estate brochure and carbon-copy renovated house in the western world.  So we know that for $149 (+ delivery) we could have as many of those $12 (wholesale - check alibaba.com for a laugh) knock-offs as we please ... but does the world really need to put our dwindling resources into turning classic design into disposable, paper-plate chairs?

As for the originals ...


A vision of tomorrow before we humans got together and trashed it!

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